madgarlick meandering

the writing of simon garlick

Posts Tagged ‘theatre’

Cinderella – music cues

Posted by madgarlick on April 21, 2008

MUSIC CUESSCENE 1

INTRO PRE NARRATOR SCENE ONE
CUE BAND
MUSIC: When you wish upon a star (same as fairy sings)

FLATULA LINE INTRO (scene 1)
One of us is going to marry the prince and in saying that I really mean me is going to marry the prince and be very very very very very very rich!

CUE: BAND
INTO SONG: ROUGH AND READY MAN

FAUNA INTRO LINE (Scene 1)

Fauna: There is something wrong with that last line!

CUE: BAND
INTO SONG: NOTHING LIKE A DAME

CINDERS INTRO LINE (scene 1)

Cinders: Flatula is so horrible to me, making me do all this work………………….
What did my mum used to say to me?

CUE: BAND
INTO SONG: YOU ARE NOT ALONE

INTRO CINDERS LINE (Scene 1)

Cinders: there are so many of them, they are all over the place!

CUE: TECH
MUSIC CUE: CATS
INTO CATS DANCE ROUTINE

CINDERS CUE LINE (SCENE 1)

Cinders: I don’t believe in fairies anyway!

FAIRYBELL enters to tinkle sound FX
Cue band: Fairy tinkle

CINDERS CUE LINE:
Cinders: You’d do that for me, oh wonderful, I’m so overjoyed, I think I could cry…

CUE: BAND:
When you wish upon a Star

Into song, when you wish upon a Star

SCENE 2

CUE: Band
Scene Change When you wish upon a star variation
BUTTONS line INTRO
Ah-HMnn I can see them coming now…. Your royal highness please welcome:
CUE: TECH
MUSIC: Old Can Can

AFTER CAN CAN
CUE: BAND
Light when you wish upon a star variation

Buttons intro line
The most rich of rich, the one, the only… Prince Charming

BAND CUE: Prince’s FANFARE

Buttons Cue line
Well all you have to do is make your mind up

CUE: Tech
Making your mind up music

Prince Cue line
My lords ladies and Gentlemen, Eat drink, dance and be merry!

CUE:Tech
Music: MD ketchup Song
SOUND FX: Bell dongs (CD From Jamies CD)

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Cinderella

Posted by madgarlick on April 21, 2008

There is a bit of a back story to this pantomime. In 2002 I was working aboard the Thomson Cruise Ship TSS The Topaz, and had the opportunity to work with some of the friendliest, funniest, and most talented people in the world. Christmas was looming and the company who provided the entertainment had bought a Christmas play which was to be performed over the Christmas and New year cruises. The play they had bought was loosely based on Harry Potter and to be quite frank, was crap. All the actors were complaining daily as they were rehearsing this play, and so I thought i would read it and see what the problem was. I read it, was shocked that somebody had been paid thousands for this 45 minute monstrosity and made a flippant coment that I could do better. The Cruise Director Bruce (a fabulous giant of a canadian with a penchant for ladies clothing) took me up on the offer, and so i had 48 hours to come up with a christmas Panto blockbuster. So 48 hours after being set the challenge, this script was placed on his desk, it was then photocopied numerous times and handed to the cast, we had just over a week to produce the show, rehearsals happened day and night around the already running shows. It was a great pleasure to work with so many very talented people, who really worked so very hard to make this pantomime work. Not only did it work, it was a resounding success, brought a very close team even closer and saw the funniest vicar since geraldine granger of vicar of dibly fame (rob made his one line last five minutes!). The audiences (including the Greek captain and Officers laughed heartily at all the right places, and also at all the other places where the fabulous cast endulged themselves.) To make things easier, the songs and dance routines were ripped from other shows that the cast were performing in, apart from nothing like a dame (which was re-worded for the panto) and also we saw the debut of Miss Benne as a Singing sensation, who (despite robs attempts at doing so) really stole the show with her fantastic rendition of the Patsy Cline classic ‘Crazy’. The panto is not perfect, but i don’t have the heart to re-write it. The running time is approx 1hour 30mins.

 

The Script

 Music Cues

 Props List

Nothing like A Dame – Alternate lyrics

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Cinderella – script

Posted by madgarlick on April 21, 2008

CINDERELLA
By Simon Garlick
CHARACTERS

CINDERELLA FUNNYBUM-SMITH …………… Our Heroine
PRINCE CHARMING ……………………………… Our Hero
FLATULA FUNNYBUM …………………………… Cinder’s Wicked Stepmum
FLORA FUNNYBUM ……………………………… Cinder’s Ugly Sister
FAUNA FUNNYBUM ……………………………… Cinder’s Ugly Sister
FAIRYBELL ………………………………………… A Fairy Godmother
BUTTONS …………………………………………… The Princes Manservant
GHOST ……………………………………………… A Ghost
NARRATOR
VICAR
VARIOUS CATS, NOBILITY, AND SPOOKS

CAST

CINDERELLA FUNNYBUM-SMITH …………… Cheryl Halliwell
PRINCE CHARMING ……………………………… Jordan Brown
FLATULA FUNNYBUM …………………………… Catherine Alder
FLORA FUNNYBUM ……………………………… Simon Wild
FAUNA FUNNYBUM ……………………………… Daniel Taylor
FAIRYBELL ………………………………………… Rowena Toledo
BUTTONS …………………………………………… Benne
GHOST ……………………………………………… Rob Treharne
NARRATOR ………………………………………… Simon Garlick
VICAR ……………………………………………….. Rob Treharne
CATS, NOBILITY, AND SPOOKS ….. Broadway and le’Caberet dancers

SCENES

The Kitchen at Cinders’ House
A Ballroom at the Princes Castle
The Kitchen at Cinders’ House
A Spooky Forest
The Kitchen at Cinders’ House
The Princes castle

Music and Dance Routines

Scene 1:
Flatula sings – Rough and Ready man
Flora and fauna sing – Nothing like a Dame
Cinder’s Sings – You are not Alone
Fairybell Sings – When you wish upon a star
Dancers ‘Cats’ Routine

Scene 2:
Dancers Ballroom dance Routine 1st Can Can 2nd : making your mind up 3rd : ketchup
Buttons Sing: CRAZY?

Scene 4:

Scene 5:
Company Sing: Disney Medley

And So It Begins

BLACKOUT

Band Play When you wish upon a star

SCENE 1
THE KITCHEN IN CINDERELLA’S HOUSE

The Stage is in Darkness, Cinders is Fixing the ball gowns of the two ugly sisters who are drinking mugs of tea. The narrator enters Stage right and begins speech.

NARRATOR

Welcome all to this wondrous tale
Of Princes rich and maidens pure
Of wishes granted, dreams made true
Of love, romance and evil too.
We’ll go back when, to tales of old
Where summer’s hot and winter’s cold
And a young girl dreams for her one true love
She preys unto the stars above
As the grimy floors she starts to scrub.

Her only dream, can it come true?
I guess we’ll see and so will you
For this indeed is a fairytale
With twists and turns and ghosts that wail
So while the captain calls set sail
Sit back, relax and enjoy our tale
Of Cinderella and her stepmum
Two sisters too and a guy called buttons
Of a fairy who is pure of heart
And our first technician, who demanded a part
A shoe that fits and a wood that’s scary
A prince who’s handsome, did I mention the fairy?
I think I did so lets get started
We’ll join the ugly sisters sharpish
As they get dressed up for a dead posh party!

FLORA

Oh my goodness, can you believe that it’s the prince’s ball, this very eve?

FAUNA

Indeed dear Flora, I must confess, I need a spanking… brand new dress!

FLORA

Please tell me Fauna, why do you speak, in rhyme, it really does sound sweet.

FAUNA

That’s the writer see, he’s such a traditionalist, all this poetic scribble must have hurt his wrist, because it stops right here!

FLATULA
[Off Stage]

Cinders! Cinders! Where is that dratted girl!…CINDERS!!!!

[Enters]

Ah, there you are you horrible little thing, have you finished making your sister’s dresses, the Prince’s ball is tonight, don’t you know!

FAUNA

The Ball!

FLORA

The Ball!

FAUNA

The prince!

FLORA

The Prince!

FAUNA

Oh I’m all wet!

FLATULA

Yes, yes girls, stop your dribbling, its tonight so I want you looking your best. I hear he’s on the look out for a bride, and one of us, (aside) and in saying that I really mean me! Is going to marry the prince and be very, very, very, very, very, very, RICH!

INTO SONG: Rough and ready man

FLORA

Oh but mummy, have you ever set eyes on the prince before? Is he handsome?

FAUNA

Yes is he…. Is he?

FLORA

Oh I bet he is… I bet he is!

FAUNA

Handsome Yes, he must be! I do so love a good looking young man!

FLORA
[Aside]

This is only a play you know Dan

FAUNA

Yes I do know! I am an ACTOR, I went to RADA don’t you know!

FLORA

Yes RADA, so I heard… isn’t that the Retired Alcoholic Dames Association?

FLATULA

Enough of this bickering, girls. Yes, the Prince is very handsome and he’s also Very, very, very, very, very, very RICH!
Now come along, I want to see you in your new dresses

FAUNA
[Aside]

There’s something wrong about that last line.

INTO SONG: Nothing like a Dame

FLATULA

While we are away Cinder’s, make sure you sweep the floor, clean out the fire, make the beds, wash the dishes, cook the tea…. And, try not to get in the way while you’re doing it!
Oh, and while you’re doing that, make sure you clean out the cat litter tray! I can’t have my kitties unhappy. I want to see all of them smiling and happy and clean!
Come on Girls!
[All exit bar Cinders]

CINDERS
[To Audience]

She’s not my real mum you know. My real mum was beautiful, and nice, and kind…but she died… She wasn’t anything like Fungus Flatula and her two horrible fumbling daughters Flora and Fauna, Oh-no, Flatula never lets me do anything nice, why can’t I go to the ball, I’m pretty (to Audience) Don’t you think I’m pretty?

BUTTONS

I think you’re pretty.
In fact I think you’re the prettiest girl I ever did see!

CINDERS

Who are you?

BUTTONS

I’m Buttons

CINDERS

That’s a funny name. Hi Buttons, I’m Cinders

BUTTONS

Hi Cinders! (To Audience) Hi Kids… Hi BIG Kids!

CINDERS

What are you doing here, Buttons?

BUTTONS

I came on the Prince’s orders, I’m supposed to give out invitations to his ball tonight.
He gave them to me a week ago, only I forgot about them and now I’m rushing around trying to give them all out in time. I don’t suppose a lovely girl like you would help me out would you?

CINDERS

Oh you sweet-talker! Well if it makes things easier

BUTTONS

It would

CINDERS

OK then.

BUTTONS

Oh, that’s wonderful, You’re wonderful….
OK, lets see, yes yes I think these are the right ones, I have invitations for:
Madam Flatula Funnybum
Miss Flora Funnybum
Miss Fauna Funnybum
And Miss Cinderella Funnybum-Smith
Will you make sure they get them?

CINDERS

Sure

BUTTONS

You are kind, well better dash…Thanks,
Bye Kids!
Bye Big Kids!
…Bye Cinders.

[Buttons exits]

CINDERS

Its really not fair, why can’t I go to the ball, I got an invitation too, The thing is, I’ve got nothing to wear, and I can’t go dressed like a kitchen maid. Fungus Flatula wouldn’t let me go anyway, she’d probably rip up my invite.
I think I’ll hide it.
Flatula is so horrible to me, making me do all this work, making their dresses, washing the dishes, scrubbing the floor and all on my own…
What did my mother used to say

[CINDERS SINGS: YOU ARE NOT ALONE]

[After Song]

CINDERS

Well I can’t mope around here all day, not with all that work to do. Oh my goodness, I nearly forgot the cats, I had better start cleaning their litter trays, You know, She cares more about her cats than she does about me! And there are so many of them, they’re all over the place!

[INTO DANCE ROUTINE FROM CATS]

[After Dance]

CINDERS

If only my dreams would come true, just like in the fairy tales, where a fairy appears and magic’s up a nice new dress and Turns lots of mice into a coach and some horses. But I bet with all these cats around there aren’t any mice… and I don’t believe in fairies anyway…

[ENTER FAIRYBELL]

FAIRYBELL

Why ever not my poor sweet dear,
You may not see us, but we are always near
To give and grant the righteous wishes
We can even magic up clean dishes!

CINDERS

Are you, are you…a fairy?

FAIRYBELL

I am indeed, can you not tell
I’ve got the dress and wand as well
I live in yonder lush green dell
My name it is sweet Fairybell!

So why the tears my dear sweet thing
I guess its all these floors to clean
We’ll have to whip up something quick
To get you out of this great big fix.

A ball takes place tonight I believe
So sharpish should you take your leave
And head straight to the castle where
A lovely man will meet you there.

CINDERS

But I have nothing to wear!

FAIRYBELL

Tut-tut-tut-tut-tut
Just leave that to me, I’ll sort that for you
I’ll turn the kitties into a horse or two
To whisk you away to the event of the year,
Where there’ll be dancing and singing and the drinking of beer!

CINDERS

You’d do that for me?
Oh wonderful, I’m so overjoyed
I think I could cry…

[FAIRYBELL SINGS: When you wish upon a star]

[After Song]

FAIRYBELL

So Cinders it looks like you shall go to the ball
To dance with the prince, [Cinders] oh I hope he is tall
Beware however for on the stroke of twelve
The magic will fade when it’s the end of my spell.

END OF SCENE 1

BAND PLAY When you wish

SCENE 2
The Prince’s Castle, Decked out for a nice fucking rave. (sorry, of course I meant, expensive party)

NARRATOR

And so it seems our scene is set
Cinders is happy of that you can bet
She’s off to the Ball in a spanking new dress
So is Flora and Fauna and Fetula, who’ll be best
And win the heart of the tall handsome Prince
With the cleaning all done I don’t think she’ll be missed
And so lets go to the castle ourselves
To see buttons again, will there be wedding bells?

BUTTONS

Hi Kids, Hi Big Kids!!!
Are you all right?
I’m not, in fact I’m rather sad. You see I’ve met a girl,
She’s ever so nice, but I have to work tonight, it’s the prince’s ball and I’ve got to introduce all the dead posh people to him!
Oops, I can see them coming, so I better get started:

CUE OLD CAN CAN
Ah-hmmm… Your Royal highness, please welcome

Lady Nadia of Doodlepum
Lord Den of Doodlepum
King Yura of Diddledoop
Lady Angelica of Diddledoop
Queen Elena and princess natasha of Dongleding

AFTER DANCE: OLD CAN CAN

BUTTONS

Yet more arrive! Please allow me to introduce:

Count Slava and Lady Polina of Durdledorf
Baron Von Alexi and Baroness Tatiana of Dimpledoo
Lady Leana and Queen Marina of Dentaloop
Madam Flatula Funnybum and Miss’ Flora and Fauna Funnybums of the small yet pretty cottage over yonder hill.
Well that’s all done so I suppose I should introduce the Prince so we can get this party rocking!
Do you want to meet him?
Are you sure?
Ok then… Please welcome his Royal Highness, the most Handsome of Handsome, the most Rich of Rich, the one, the only…. Prince Charming!

[PRINCE CHARMING ENTERS TO FANFARE]

PRINCE CHARMING

Thanks for that Buttons, splendid intro…
[At the front of stage the Prince and Buttons chat]
So Buttons, my faithful man servant, you know why I organised this ball, I must seek out a queen to join me in my kingdom… It is so very lonely here. So what do you think mate, are there any fit ones?

BUTTONS

Well… let me see… how about Madam Flatula Funnybum.

PRINCE

Too old

BUTTONS

OK, OK, then how about Miss Flora Funnybum

PRINCE

Too Fat

BUTTONS

I see, in that case how about Miss Fauna Funnybum

PRINCE

Too Thin.

BUTTONS

Well all you’ve got to do is make your mind up

[DANCE: Making your mind up]

AT END OF SONG

FAUNA
[pointing at cinders]

Who Is THAT!

BUTTONS
Ah yes how about Miss Mystery Lady who looks strangely familiar, over there?

PRINCE

Yes, yes, now she’s a possibility

My Lords Ladies and Gentlemen from near and afar, please eat, drink, dance and be Merry!

INTO DANCE: KETCHUP SONG

AFTER KETCHUP

[The Dance stops when 12 o'clock strikes and cinders runs away]

PRINCE

Stop! Stop! At least tell me your name!… Please…..
[To Buttons]
Buttons, follow her, I must find out who she is, she’s so delicate, so sweet, she’s beautiful, I think I love her!

[Exit Prince and Party Guests]

BUTTONS

Its funny you know, she does look familiar, she is lovely, don’t you think? I never get nice girls like that, I wish I was good-looking or as rich as the prince, then I’d have a girlfriend too… But nobody wants me… I bet Cinders won’t want me either…

[BUTTONS SINGS: CRAZY]

BUTTONS
[As Leaving]

What’s this… it’s a golden slipper, it must have slipped off when that mystery girl ran away… I better go and tell the Prince.

[EXIT BUTTONS]

END OF SCENE 2

NARRATOR

Well there we have it, pure and straight
Their love is sealed, it must be fate
The party’s over, and what a blast
The Funnybums stayed until the last…
Drop of beer was had out of the barrel
And so they returned in their outrageous apparel
Unto their house, where Cinders was working
The Funnybums were drunk, Flatula was bottom burping!

SCENE 3

[Back in Cinders' kitchen]

FLATULA

BURP!!!!
Oh my goodness, what a great party, I do feel rather strange though…..FART!!

FLORA

Its just not fair, that mystery girl, who looks strangely familiar, was dancing with the Prince all night long!

FAUNA

We didn’t even get a look-in! and us with our pretty little faces as well!

FLATULA

Don’t be silly girls, he didn’t take his eyes off us all night…..
He was just….. shy, yes that’s it, the Prince was shy…. FART.
Look, I bet there is a knock on the door any minute and it will be Princey darling wanting us to go to tea tomorrow night!…FART.

[Sound off: Knock on Door]

FLATULA

See what did I tell you,
[Goes to answer door]
Come in… OH Do come in…

BUTTONS
[Bursting through door (oh alright bursting onto stage!)]

Hi Kids… Hi Big Kids! Hi Cinders…

CINDERS

Hi Buttons

BUTTONS

Ladies… I have an announcement to make.

FLATULA

Yes, yes….FART

BUTTONS

It is very important.

FLORA and FAUNA

Yes, yes
(FLATULA: FARTS)

BUTTONS

Is everybody listening?

FLORA and FAUNA

Yes…ye…

FLATULA (butts in)

Look, mister, bobbins or whatever your name is, GET ON WITH IT!!!

BUTTONS

Oh…OK then

Ah-hmmmmmn…
His royal Highness, Prince charming
Would like it to be known that…
He’s found his queen.
A shoe was left, this very eve.
And it belongs to her, he does believe
So tomorrow when the sun is up,
He’ll come a searching for his love
The perfect fit he wants to find,
And the wearer will become his bride
AMEN….got to dash!

[BUTTONS EXITS]

FLATULA

Oh…oh…how exciting… burp. I just know it will be me, or if not me, at least one of us three!

FLORA and FAUNA

Yes, yes, it will be me or if not me at least one of us three!!!

[Exit Flatula, Flora and Fauna]

CINDERS

That’s it! I’m not staying round here any longer!
That’s MY shoe, it should be me who marries the prince!
But I bet wicked Flatula won’t even let me try it on… She’d cut off her own toes to fit in that shoe… oh, what am I going to do?
I know… I’ll run away!

[CINDERS EXITS]

[FLATULA ENTERS]

FLATULA

Cinders! Cinders! Where is that dratted girl!
Flora!, Fauna!
[Flora and Fauna Enter]
Will you find that runt! I want this place spotless before the Prince arrives tomorrow!

END OF SCENE 3

SCENE 4
A DARK AND SCARY WOOD

[NARRATOR ENTERS]

NARRATOR

And so it would seem that fates not set
For poor Cinderella seems rather upset
She’s just run away from her house and her home
But she’s gone the wrong way, into the woods she has roamed.
For there, there are spooks and horrible ghosties,
And evil things that eat humans in toasties
And so it looks like Cinders’ end is nigh,
Unless a hapless hero can save the day!

[ENTER CINDERS]

Oh-no, I think I’m lost, and this wood looks oh-so-very dark! Why did I run away… Oh why did my mummy die… Oh why, oh why, oh why???

[CINDERS CRIES]

[ENTER BUTTONS]

BUTTONS

Hi Kids, Hi Big Kids
Hi Cinders … what are you doing here, all alone in these big dark woods?

CINDERS

Oh Buttons…Buttons! Thank goodness you’re here… I’m so sorry… I’ve run away because I went to the ball and I fell in love with the prince and I lost my shoe and Flatula was burping and laughing and oh-so cruel and I just don’t know what to do…

BUTTONS

I thought that mystery girl looked familiar… It was you, wasn’t it?

CINDERS

Yes, yes it was me Buttons, but… but… but.
[Cinders starts to cry]

BUTTONS

Now, now, don’t cry… it will be all right…Take my hanky

[Gives hanky to Cinders, Cinders blows nose very loudly!]

I’m here now… Cinders… do you really love the Prince?

CINDERS

Yes, yes, with all of my heart, I love him so much
[BLOWS NOSE AGAIN, even more loudly]
[Buttons turns away during this and her answer, but he soon turns back]

BUTTONS

Look, there’s no need to cry, come on, it isn’t that bad.
You know, whenever I’m upset, I try to make myself laugh by making up a rhyme… some of them are really funny!

Would you like to hear one?
Would you like to hear one kids?

OK then, here goes:

Scotty had a spotty botty,
he sat upon a big red potty,
He’d eaten mashed up peas and sprouts,
And when he trumped, it all came out!

Te-he-he-he-he-he…

How’s about this one then:

Tony is a big brown bear,
Creep up to him, if you dare
Do not confuse him with a teddy,
Or you will end up in his belly!

Ha-ha-ha-ha-ha-ha-ha-ha…

Ok, ok, ok… here’s another one!

It was a cold and wet November day
When Grandma said goodbye
She jumped aboard her spaceship
And shot into the sky!

[CINDERS and BUTTONS roll around on the floor in fits of laughter]

BUTTONS

See, its not that bad…

[FLORA and FAUNA ENTER]

FLORA

Who on earth is making all this noise!

FAUNA

Who on earth is Making all this noise?

FLORA

I just said that!

FAUNA

Did you, oh sorry, I wasn’t listening.

FLORA

Who on earth is making all this noise!

FAUNA

You just said that!

[FLORA BELTS FAUNA]

FLORA

Oh… so there you are CINDERS… running off with your boyfriend were you. You’re needed back home, the prince is coming and the place needs to be spotless

FAUNA

Spotless…yes.
[FLORA GIVES FAUNA A LOOK LIKE SHE WILL BELT HER]

FLORA

So get a move on and leave baubles alone!

FAUNA

Yes leave Baubles alone
[To BUTTONS]
Hi, Biggles

[FLORA BELTS FAUNA]

[CUE spooky sound off stage]

BUTTONS

What was that… did anyone else hear that.

CINDERS

I heard it!

FLORA

YOU heard nothing CINDERS… what you heard was probably Fauna’s belly rumbling

FAUNA

Well it has been a while since I’ve eaten.

BUTTONS

No it wasn’t. It sounded a bit like a ghostly wail

CINDERS

Well they do say these woods are haunted

FLORA

HAUNTED my AR…..

INTERUPTED BY FLORA

…rubbish, there not haunted
(starts to look round as if not sure)

[CUE GHOSTLY SOUND AGAIN]

FAUNA

Even I heard it that time!

FLORA

All right, alright, we are quite safe… the Brats in the audience will tell us if there is anything there, won’t you brats?

BUTTONS

Oh go on kids, even I’m feeling a bit scared, I don’t like creapy crawlies and snakes and spiders and SKELINGGGTONS!

[INTO ITS BEHIND YOU ROUTINE WITH ROB TECH SPOOK STARRING ROLE!]

FINNISH WITH TAP ON SHOULDER AND RUN OFF ROUTINE.
ONCE SPOOKY ROB HAS RUN OFF WE ARE LEFT WITH UGLY SISTERS ONLY

FAUNA

Well, thank you!

FLORA

Nothing scares me you know

FAUNA

What, not even Michael Jackson!

FLORA

Well, I guess he is a bit scary!

FLORA

WE had better be getting back, its getting light!

FAUNA

OH YES.. of course, the Prince! THE PRINCE!!!

BOTH EXIT

END OF SCENE 4

SCENE FIVE

The kitchen in CINDERS HOUSE Cinders is asleep on the floor

NARRATOR

And so its back to Cinders’ house
Just in time, the cock’s announced
For its break of day and all about
An excited hum, sometimes even a shout
For the prince has arrived, to find his bride
And this is no time for our Cinders to hide!

FLATULA ENTERS

FLATULA

Cinders! Cinders! Where have you been.
I wanted this place spotless.
Look at it, it’s a tip and its all your fault!
Clean it up at once!

[A LOUD KNOCK on the door]

IT’S TOO LATE!
He’s here, where are your sisters??
Come on, chop, chop, make yourself invisible.

[CINDERS HIDES]

PRINCE CHARMING and BUTTONS ENTER

PRINCE CHARMING

Sorry to barge in good lady, but I have an urgency

FLATULA

The toilets over there.

PRINCE CHARMING

I am here to find my bride, I have her shoe and who ever it fits, I’m going to marry too!

FLATULA

Oh, there it is. I was wondering where that shoe of mine went, thank you for returning it your highness!

[FLATULA SNATCHES SHOE OFF PRINCE, she tries squeezing it onto her foot, but it won't fit]

Where’s the scissors?

PRINCE CHARMING

No, no, good lady, I’m afraid the shoe, does not appear to fit!
Are there any more nice young ladies in this beautiful home of yours?

FLATULA

Yes, yes. That’s it, it must belong to one of my two beautiful daughters, Flora and Fauna… I think they just nipped out to help the poor… or something else good and godly.

PRINCE CHARMING

In that case I will wait and see if the slipper fits either of these two gracious girls.

BUTTONS

No need sire, for there is another beauty who dwells in this house, she looks divine, and I wish she could be mine, but she loves you, so I think I will just have to have her as a very close friend… Cinders!

[CINDERS COMES OUT OF HIDING]

CINDERS

Your majesty (bows)

PRINCE CHARMING

My lord, what a wondrous vision I see before me, what beauty, what radiance, what great ti….. (gets nudged by BUTTONS)
Arise sweet thing, for it seems only right that this slipper can belong to you, please try it on.

[CINDERS DOES]

PRINCE CHARMING

It fits!

FLATULA

It fits! (faints)

CINDERELLA

It fits!

[PRINCE CHARMING AND CINDERS EMBRASE]

PRINCE CHARMING

My darling

CINDERS

My love

BUTTONS

My stomach!

[UGLY SISTERS BARGE IN]

FLORA and FAUNA

What did we miss???
(both see Prince and Cinders and then faint, if not good first time, do it again, and one of them maybe a third time to outdo the other)

END OF SCENE 5
SCENE SIX: Outside the Palace

NARRATOR

And so we near the end of our tale
Of a beautiful girl and a handsome male
The sisters are down and the mothers depressed
But once again, that’s all for the best
And so now to, a big finale
As we wave goodbye to this extraordinary party
But before we go, perhaps we should see
Cinders’ wedding… aw don’t she look sweet!

VICAR

I now pronounce you man and wife, you may kiss the bride!
[PRINCE CHARMING AND CINDERS SNOG]
ALL CHEER

FAIRYBELL

Well children young and old alike
This story shows what just might
Happen on a lucky day
When fate seems to go your way
So no-matter what it is you do
It only shows dreams can come true

CAST SING DISNEY MEDLEY

THE END! (thank god)

© simon garlick

Posted in pantomime, theatre | Tagged: , , , , , , , , , , | Leave a Comment »

The Man Who Saw the Sun: Act Two

Posted by madgarlick on April 16, 2008

ACT II

 

A PRISON CELL
The stage is in darkness apart from a wavering warm glow/light visible through the grill window of a door that is set to the rear of the stage, left. There is also the reflection of the wavering light and grill pattern on the floor of the stage. We hear echoed footsteps, the sound of dripping water and an eerie breeze. The footsteps get gradually louder until they stop. We then hear the sound of a great many large locks and bolts being undone (ten, then a short pause, then another four, then a short pause, then a final one.) the door is pulled open (creaking) and we hear a gruff voice say:

Guard
Get in there!

We see a body, Arthur Brown, being hurled onto the stage and then hear the door being closed (the creaking SFX played in reverse) followed by fourteen of the locks and bolts being locked. We then hear the footsteps again, gradually getting quieter, the footsteps stop, we hear the gruff voice:

Guard
Bugger!

We then hear the footsteps start again, getting louder. They stop, we hear one final lock being locked, then the footsteps start again gradually getting quieter until they fade.

[Pause]

Arthur Brown
[Groans]

Blind Man
[Groans back]

Arthur Brown
Hello… Hello… is there somebody there?
[Silence]
Hello… Hello… Is somebody there?
[silence]
I heard you, I heard you, are you there?
[silence]
Oh.
[Pause]
[We hear a shuffling sound as if something is being slowly dragged along the floor]
There! I heard you, are you there? I can hear you. Who are you?
Who are you?
[silence]
[Then we hear the shuffling sound again]

I can hear you, who is that, who’s there? Who’s there!
[pause]

Blind Man
Frank?
Frank, is that you?

Arthur Brown
[Tentatively moves round the stage searching for the owner of the voice]

Who is that? Where are you?
Blind Man
Is that you Frank? Why you sound so funny? You sick?

Arthur Brown
What?

Blind Man
You sick Frank? Sounds like you’re sick. Sore throat eh?

Arthur Brown
What?
Who are you?
Where are you?

Blind Man
Don’t be like that Frank. I’ve got some oil here somewhere , that will do the trick.

Arthur Brown
Gotcha!

Blind Man
Oi, Get off. Hold on, you aint Frank.
[Struggles]
Frank, Frank? What you done with Frank.
[wails]
Frank, Frank, help me Frank, he’s got me.

Arthur Brown
Ok ok, I’m letting go.
I’m letting go.
[Blind Man strikes Arthur Brown with a cane, Arthur Brown shouts in pain]

Blind Man
Ah, that got you. That got him Frank, that got him. Frank, Frank? What you done with him eh? What you done with Frank I‘ll hit you again….

Arthur Brown
I’ve done nothing to him!

Blind Man
Well were is he then?

Arthur Brown
I don’t bloody know.
[there is another loud crack of the walking cane]

Blind Man
We’ll have non of that swearing in here.

Arthur Brown
Alright, alright, no more swearing, just stop bloody hitting me
[another crack]
Aghh, right, that does it you bastard!

Blind Man
Help, help! Guards, he’s killing me. Guards, guards! Help! Help! Help…
Guard
[off] keep the noise down in there!

Blind Man
Why did you stop.

Arthur Brown
Because you were making such a racket.

Blind Man
Well you shouldn’t have tried to kill me then.

Arthur Brown.
I wasn’t really going to kill you. I was just thinking about it.

Blind Man
You was?

Arthur Brown
Yes. I wasn’t really going to do it.

Blind Man
You weren’t?

Arthur Brown
No. after all, who could possibly find it within them to strangle to death a fucking, lunatic.
[we hear another crack of the cane]

Arthur Brown
[Screams]

[Black out]

[LIGHTS UP]

Blind Man
Have you found it yet?

Arthur Brown
No, you sure it is here?

Blind Man
Its somewhere there. Its hanging up.

Arthur Brown
Hold on, there is something here.

[we hear the sound of a toilet flushing]

Blind Man
Oh, that’s right, the toilet is on that wall… that means the lantern is on … no, wait a minute. Its…er… He came in, walked around a bit. Kicked me, kicked Frank, turned to leave and hung the lantern… from the ceiling! that’s it, that’s it, the lanterns hanging from the ceiling!

Arthur Brown
Do you have any idea where it is on the ceiling.

Blind Man
No, no, Frank used to sort that, perhaps we should ask him. Frank, Frank? Oh…
[BLACKOUT]

[LIGHTS UP]

Blind Man
Have you got it?
Try leaning a little to your left. Any better?

Arthur Brown.
No.
Are you sure its here?

Blind Man
Yes, of course it is there. Where else would it be?
It is quite high up though.
Hey, hey, where are you going?

Arthur Brown
I’m getting a chair.

Blind Man
Oh I don’t think you’ll need a chair.

Arthur Brown
I thought you said it was hanging from the ceiling..

Blind Man
Well it is. But I don’t think it is necessary to move a chair. I mean, what would they say.

Arthur Brown
[moving chair]

What would who say?

Blind Man
The guards.

Arthur Brown
[stops moving, thinks for a bit then continues moving the chair]

Bugger the guards!

Blind Man
Bugger the guards indeed, fancy that! Did you hear that Frank, bugger the guards he says, bugger the guards.

Arthur Brown
I think I’ve found it, yes, here it is. Have you got something to light it with?

Blind Man
I’ve got a candle, I’ll just get it. There you go.

Arthur Brown.
Well that’s great lot of use.

Blind Man
What is?

Arthur Brown
That Candle.

Blind Man
You’re quite welcome

Arthur Brown
I was being sarcastic.

Blind Man
Sarcastic, why? Oh, no gas in the lantern eh?

Arthur Brown
No, there’s no Bloody flame on the Candle!

Blind Man
Well why didn’t you say, here, have a match.
[strikes match, it goes out]
Oh…
[Blackout]

[LIGHTS UP]
Blind Man
Now be careful, it’s the last one.

Arthur Brown
Right, for god sake, this time, don’t sneeze, come to think of it don’t speak, cough, fart, chuckle
or even breathe. Right, you ready?
[we hear a muffled response from the blind man. Arthur Brown strikes the match, we see the match move slowly in the air towards the lantern, the lantern is carefully lit and the cell, stage, is finally in light. There is a very large pile of spent matches at the foot of the chair, we see Arthur Brown on the chair and the Blind Man to the side, the Blind Man is wearing a cloak and has a walking stick, he has a cloth around his eyes that is blood stained, it should be clear he is blind. There are other lanterns around the cell and Arthur Brown lights the candle and starts lighting the other lanterns. As the cell falls into light we can see its layout, on the rear wall there are a number of large grills which lead to other cells, there is a door towards the rear stage left and stage right there are some steps and an large grill door. There is a table and a chair stage right, sat on the chair collapsed onto the table top are the skeletal remains of Frank]

Arthur Brown
I think I’ve found Frank

Blind Man
Have you, have you, great, where is he.

Arthur Brown
I think he’s dead.

Blind man.
Oh. Are you sure?

Arthur Brown
I’m fairly certain, yes.

Blind Man
He did say he wasn’t feeling too great.

Arthur Brown
I don’t think he was.

Blind Man
Must have had the flu or something, said his throat was sore, didn’t really say much after that.

Arthur Brown
[looking around]

So how long have you been in here then.

Blind Man
Who me?

Arthur Brown
No Frank, Of course you!

Blind Man
Twenty eight years, seven months three days and nine hours… give or take a few years.

Arthur Brown
So, not long then.

Blind Man
Franks been here longer mind. He’d been here a good five years before I arrived.
So, what you in for? Murder? Rape?

Arthur Brown
Walking.

Blind Man
Walking?

Arthur Brown
And Talking.
Blind Man
Walking and talking eh? [chuckles]
So you are not a killer?

Arthur Brown
No. I’m not a killer.

Blind Man
That’s good. I’m not fond of killers. Frank was a killer, he killed two people he said, one with his bare hands, coarse I knew he was only trying to scare me, at first anyway, the guard said he was in for stealing a pig. Turned out that that’s what he did, stole it from the king he did, got caught because the pig was squealing so much.
[pause]
So how long you in for?

Arthur Brown
They didn’t say.

Blind Man
That’s not good. They’ll throw away the key probably.
[pause]
They’ll not be letting you out any time soon I bet.
[pause]
So mister, what’s your name?

Arthur Brown
Arthur.

Blind Man
Arthur. I had a dog called Arthur once. Fell in a well, broke all three of his legs he did. Poor sod. Poor Arthur.
[pause]
Arthur?
You got anything to eat?

Arthur Brown
No.

Blind Man
Oh.
[pause]
Never mind, I expect they’ll bring something soon.

Arthur Brown
How often do they come

Blind Man
You can never be sure, could be once a day, once every two days, twice a week, who knows.
Me and Frank spent a whole month without them coming at all once.

Arthur Brown
What did you eat?

Blind Man
Rats… mainly.

Arthur Brown
Rats?
Blind Man
There’s a fair bit of meat on a rat if you know where to look, they come up the toilet don’t you know. Unless it’s blocked.

Arthur Brown
Nice.

Blind Man
Talking of toilets
[he goes to the toilet, drops his trousers and sits down, Arthur brown looks away]
[long pause with toilet sounds]

That’s better.
[we see the blind man grasping for something on the floor]
You seen the cloth?

Arthur Brown
Cloth?

Blind Man
The toilet cloth.

Arthur Brown.
No.

Blind Man.
Well have a look, its round here somewhere

Arthur Brown
What does it look like.

Blind Man
It looks like a cloth you use on the toilet, [to self] I knew they’d give me a stupid one.
[Arthur moves to nearer the toilet]

Arthur Brown
No, can’t see it.

Blind Man
Well it must be here somewhere.

Arthur Brown
Hold on… I think I’ve found it, its above you head.
[the cloth hangs from a chain above the toilet .Blind Man Stretches]
No, left a bit, a bit further, no, that’s too far…

Blind Man
Can’t you reach it?

Arthur Brown
I’m not touching that, its full of sh…. Stuff.

Blind Man
Very well then.
[he sways his arms round frantically and knock the cloth from it hanging place onto Arthur Browns Head]
Got it!
[BLACKOUT]

[LIGHTS UP]

Arthur Brown
So, have you ever tried to?

Blind Man
I think we did once. We found a spoon.

Arthur Brown
What happened?

Blind Man
Well, Frank started digging, just behind the toilet, but he said the smell was off putting, so he stopped.

Arthur Brown
Then what did you do?

Blind Man.
Well, then we banged the door a bit.

Arthur Brown
Yes?

Blind Man
But no-one came. So we gave up.

Arthur Brown
But there must be a way out somewhere.

Blind Man
Oh, I’m sure there is. Its just, well, where?

Tree Man
Psstt
[silence]
Ppsssttt!
Over here
[we see tree man's head behind one of the grills on the back wall]
Sorry. I don’t want to interrupt, but I couldn’t help overhearing. Are you trying to escape?

Arthur Brown
How long have you been there?

Tree Man
About a week.

Arthur Brown
Why are you locked up?

Tree man
I’m not entirely sure. I was at your hearing if you remember, I told them all about trees and then on my way out I was nobbled.

Blind Man
Did you say trees?

Tree man
Why yes. I know quite a bit about trees.

Blind Man
Beautiful things trees

Tree man
So it seems, so it seems. So were you then?

Arthur Brown
Were we what?

Tree man
Planning to escape?

Arthur Brown
Its no use. There’s no way out.

Tree Man
Have you tried the door?

Arthur Brown
No, we decided we would try every other way apart from the most obvious.

Tree man
Oh.

Blind Man
He’s being sarcastic. He does that sometimes.

Tree man
Oh.
I’d try the doors. If I was planning an escape the doors would be the first place I’d try.

Arthur Brown
Of course we’ve tried the bloody doors!

Tree man
What both of them?

Arthur Brown
Yes both of them!

Tree man
Only I couldn’t hep noticing that you have two. I’ve only got one see. Its very small in here. Hardly enough room to swing a cat. You need at least seven square feet to swing a cat. You need five and a half square feet to swing a kitten, I could probably swing one of those.
[pause]
I don’t suppose either of you have a kitten on your person do you?

Arthur Brown
No, we don’t have a kitten.

Blind Man
I could probably find you a rat. Would a rat do?

Tree man
Oh, maybe. Is it a big rat.

Arthur Brown
Enough!
Look, at the moment we are stuck in this bloody cell till god knows when, no I’d rather not spend the rest of my life holed up with you two, so please, can we forget about the cat, the kitten and the bloody rat and concentrate on getting out of here!

Tree man.
Sorry.
I didn’t mean anything by it, its just sometimes I get carried away.
[pause]
A rhinoceros!

Arthur Brown
What?

Tree man
A rhinoceros.

Arthur Brown
For fuck sake!
[Blind Man hits him with his cane]
Argh!

Blind Man
You watch your language, we’ve got a guest.

Arthur Brown
That does it! Give me that bloody cane.
[Arthur Brown tries to take cane off Blind Man]

Man with the pipe
[appears from behind second grate]
I don’t think you should be doing that!
[Arthur Brown and Blind Man jump in surprise]

Arthur Brown
Were did you come from?

Man with the Pipe
I’ve been here all the time… Listening.

Blind Man
To what? What have you heard?

Man with the Pipe
Well lots of things actually. I was going to say something a couple of days ago when you were arguing over who sleeps on the chair, but then I decided against it.

Tree man
Oh yes, that was a good one. It made me laugh that one did.

Arthur Brown
Why?

Tree man
Well it was a very silly thing to argue about. After all, you’ve got two chairs in there if I’m not mistaken.

Arthur Brown
Nobody asked you.

Tree man
Well if you would have done I could have helped.

Arthur Brown
A fine lot of help you’d have been.

Man with the Pipe
that’s not very nice. I thought his plan for escaping through the door was excellent.
I’ve thought a lot about escaping through the years, what with being stuck most often than not. And here I am, once again. Stuck.

Tree man
That’s why we need a rhinoceros.

Arthur Brown
What?

Tree man
A rhinoceros. Its sort of like a large… pig.

Arthur Brown
I know what a rhinoceros is.

Tree man
Have you got one then?

Arthur Brown
No. No, I do not have a rhinoceros!

Tree man
That’s a shame. We could have used it.

Man with the Pipe
I’ve never seen a rhinoceros. Like a pig you say?

Tree man
Well, a bit like a pig. It has a horn

Man with a pipe
I’ve seen a pig, ruddy great smelly thing it was. Stood next to me for two days chewing my trousers.

Arthur Brown
How could a rhinoceros help us?

Tree man
We could train it.

Arthur Brown
To do what.
[we hear footsteps approaching from off]

Tree man
Help us escape, stupid

Blind Man
Hush, somebody’s coming.
[the footsteps get louder, then stop outside the door]
Quick, hide!
[they all try to hide, but there is nowhere and so the are left standing centre stage]
[the locks start to be unlocked]

Do you think they heard us?

Arthur Brown
I really don’t think it would matter if they did.

Tree man
Shhhhhh.

[we hear the last few locks being unlocked then the door slowly creaks open]
[pause]
[Beautiful Witch enters]

Beautiful Witch
It’s only me!

Blind Man
Who are you?

Arthur Brown
she’s the Beautiful Witch

Blind Man
Is she?

Arthur Brown
Yes.

Blind Man
No, is she?

Arthur Brown
Beautiful?

Blind Man
Yes.

Arthur brown
Yes.

Blind Man
And…

Arthur Brown
A witch?

Blind Man
Yes

Arthur Brown
Yes.

Blind Man
[to witch]
Hello You!

Beautiful Witch
We haven’t much time. I’ve had a vision.

Blind Man
A vision eh?

Arthur Brown
She tends to have those.

Blind Man
Does she?

Arthur Brown
Yes.
[pause]
So what was your vision this time?

Beautiful Witch
A riot.

Arthur Brown
A riot?

Beautiful Witch
That you started.

Arthur Brown
Now hold on…

Blind Man
Trouble maker!

Beautiful Witch
Its good.

Blind Man
Good? A riot?

Beautiful Witch
It’s what we need.
We have been repressed for two long.

Blind Man
Cheer up love, it can’t be that bad.

Arthur Brown
REPRESSED, she said REPRESSED.

Blind Man
Can’t be good.

Beautiful Witch
In my vision I saw a huge angry mob. They were calling for the king to be executed, then one of the king’s own soldiers turned to the king himself and said ‘I’d find somewhere to hide if I was you boss’. and with that the king ran away!

Blind Man
Well fancy that. Why would they do such a thing? Poor old king. I mean, what’s he done to deserve that?

Man with the pipe and Tree Man
Here, here!

Arthur Brown
He’s imprisoned us you fools, that’s what he’s done.

[We now start to hear a raging mob in the background gradually getting louder]

Arthur Brown
So what happened?

Beautiful Witch
They heard your story. They believed it. They are looking for the sun!

Blind Man
The Sun! [to Arthur] You’ve seen the sun?

Arthur Brown
Well, not exactly no. I did see a cloud though.

Blind Man
So you’re the one. You went top side.

Beautiful Witch
Yes he did.

Tree Man
And he saw a tree! You did see a tree didn’t you?

Arthur Brown
Well…

Man with the Pipe
It was me who sent him there.

Tree man
Yes, yes, I believe it was…
[the mob sound effect is getting very loud]

Arthur Brown
[to witch]
This vision you had…

Beautiful Witch
well when I said vision, it wasn’t my usual kind.

Arthur Brown
No?

Beautiful Witch
No. You see, usually when I have a vision I start to feel a bit faint and then it kind of comes to me in a sort of dream.

Arthur Brown
And this vision?

Beautiful Witch
Well its funny, but it was kind of like seeing it with my own eyes, it was a bit too re…

Arthur Brown
…real!

Judge
Quick, in there horsy!
[at this the Judge and Prosecutor enter the cell, bursting through the door. The Judge is sat in a wooden cart that is pulled by the prosecutor. The Judge has a large bottle of wine in one hand and a large glass in the other]

Arthur Brown
You!

Judge and Prosecutor
You!

Tree man and Man with the pipe
It’s them, It’s them!

Blind Man
Who?

Tree man and Man with the pipe
Them, them!

Blind Man
Oh, them.

Judge
Quick, shut the door!

Arthur Brown
Why should we?

Judge
Because they are not taking Prisoners!

Prosecutor
They are killing everyone they find.

Arthur Brown
Everyone?

Judge and Prosecutor
Everyone!

Blind Man, Man with the pipe, Tree man and Witch
Quick! Shut the door, shut the door!

[Arthur Brown Does]

Arthur Brown
Now what do we do?

Judge
We need to find a way to escape!

Arthur Brown
We’ve looked. There is no way out.

Tree Man

I don’t suppose either of you gentlemen have a rhinocerous secreted on your persons do you?

Beautiful Witch
The Key. Try the Key.

Arthur Brown
What key…
Of course. The Key.

Blind Man
Key? What key? You said key then, what key?

Arthur Brown
The Key the Beautiful Witch gave me. The Crocodile said it would help.

Blind Man
Have you been eating my mushrooms?

Arthur Brown
Here, look.
Well, feel it then.

Blind Man
You mean you had this all the time.

Arthur Brown
It was round my neck, I forgot.

Blind Man
Well stop being a bloody fool and use the bugger!

Arthur Brown
Yes, yes…
[he goes to the door stage right and puts the key in the lock]
It’s a bit stiff.

Blind Man
Spit on it, that should do the trick.
[Arthur Brown does]
Well? well?
Arthur Brown
It’s turning…
Its open.
[all cheer]
Well come on then.
[Blind Man, Beautiful Witch, Judge, Prosecutor and Arthur all rush to the door]
[we then hear a whistle, they turn to the rear of the stage and see man with the pipe and tree man still inside their cells]

Man with the pipe
What about us?

Tree man
Yes, what about us, you can’t leave us.

Prosecutor
Well come on then!

Man with the pipe
The doors horsy, they’re locked.

Judge
Oh we never lock those doors, I mean, what if you need to use the toilet?

[Man with the pipe and Tree man look at each other and open the doors. They jump out, hug each other and run to the door]

Judge
Well, come on then!
[They go through the door witch leads to a stair case that runs up the back wall of the stage, we see all the characters ascending the staircase as they do they quietly speak various lines from earlier in the play, every few steps a character disappears into the background until almost at the very top of the set we are left with the Blind Man followed by Arthur Brown]

Blind Man
You know, you never did ask me my name.

Arthur Brown
Did I not?

Blind Man
No.
It’s Arthur.

Arthur Brown
Oh.

Blind Man
And you never seemed curious as to how I came to lose my sight.
[At this point Arthur Brown has also disappeared and we are left with The Blind Man on his own at the very top of the set]
Oh. He’s gone.
[the Blind Man turns with his back to the audience and as he does there is a very bright light in front of him that means we only see him in silhouette at the top of the set.]

THE END

© simon garlick

Posted in Plays, The Man Who Saw the Sun | Tagged: , , , , , , , | Leave a Comment »

The Man Who Saw the Sun: Act One

Posted by madgarlick on April 11, 2008

The man who saw the sun

ACT I


COURTROOM
We hear dripping water. The stage is in darkness. A man with a hood carries a lantern and begins to work his way around the stage lighting a great many gas lanterns and the stage gradually falls into light. We see a typical courtroom, the judge’s seat, dock and the prosecutors table become visible, carved out of stone. We see a man with a hood stood in the dock, we are unable to see his face, his hands are bound. Once the majority of lanterns have been lit, two men in conversation enter, these being the Judge and Mr Prosecutor. The Judge and Mr prosecutor finish their conversation, take their seats and the man with the lantern exits.

Judge.
Remove your hood.
[the man in the dock does, he is badly beaten and his hands and neck are tied]
Are you Arthur Andrew Davis Brown?

Arthur Brown
Yes.

Judge
Do you know why you are here?
Mr Brown. Do you know why you are here?

Arthur Brown
[quietly]
No.

Judge
What was that?

Arthur Brown
No.

Judge
Do you know where you are?
[Arthur Brown looks at his surroundings, then at his bonds]
For god sake man, answer the bloody question.
Do you know where you are?
[Arthur Brown shakes his head]
I take that to mean no. You, Mr Brown, are in a courtroom. You are in court because you have been a very bad man. Isn’t that so Mr Prosecutor?

Prosecutor
Yes, yes, he has been a very bad man.

Judge
You see Mr Brown, you have been a very bad man, very bad.

Prosecutor
Very Bad indeed.

Judge
Quite, Quite
Mr Brown, when somebody causes trouble, or is very, very bad, they end up here. In court.
They stand before me, as you are so doing, and they are tried. If, when they are tried, they are found guilty, they are punished. Sometimes harshly, sometimes more leniently, it all depends.
Arthur Brown
Depends on what?

Judge
Guilt Mr Brown. It depends on guilt. Are you guilty Mr Brown?

Arthur Brown
I don’t know.

Judge
You don’t know? You don’t know? Are you saying that you might be guilty?

Arthur Brown
No. I am saying that I don’t know if I am guilty, because I don’t know what I have done.

Judge
You’ve been a very bad man Mr Brown. A very bad man.

Prosecutor
Very bad… very very bad.

Arthur Brown
But I don’t know what I’ve done. What have I done? It doesn’t make any sense?

Judge
Doesn’t make any sense. It makes a lot of bloody sense. You have been a BAD MAN Mr Brown. A VERY BAD MAN.
Arthur Brown
Oh.
So what happens now then.
Judge
You mean you don’t know?

Arthur Brown
No.

Judge
Ha! [pause] Ha! You will be tried, Mr Brown. We are going to try you, find you guilty and then punish you.

Mr Brown
Oh.

Judge
Oh? Oh? Is that all you can say?

Mr Brown
Well, what else can I say?

Judge
What else can you say? Are you some kind of imbecile Mr Brown? Plead your innocence man. Plead your Innocence!
Unless that is, you are guilty. Are you guilty Mr Brown.
Mr Brown
I don’t know.

Judge
Are you saying you don’t know, or that you are, but you just don’t want to say?
Arthur Brown
[angry]
How can I say if I am guilty or innocent if I don’t know what I’ve done!

Judge
You’ve been a bad ma….

Arthur Brown
Why? Why have I been a bad man? I don’t understand. Tell me, what have I done? What have I done!

Judge
[pause]
There’s no need to shout Mr Brown. Mr Prosecutor, could you please inform Mr Brown and also the ladies and gentlemen of the jury [indicates audience] of Mr Brown’s wicked deeds.

Prosecutor
It would be a pleasure your honour.
[Turns]
Mr Arthur Andrew Davies Brown you are charged with incite to riot.
Judge
Oh dear. [tuts and shakes head]
Mr Brown, How do you plead.

Arthur Brown
I’m sorry?

Judge
Plead Mr Brown, How do you plead?

Arthur Brown
Shouldn’t I have a lawyer?

Judge
Did you ask for one?

Arthur Brown
When?

Judge
Before.

Arthur Brown
No.

Judge
Well there you go.
Mr Brown, To the charge of incite to riot, how do you plead?

Arthur Brown
Not guilty?

Judge
Not guilty eh? [pause] Very Well, the defendant pleads not guilty. Mr prosecutor, can we please hear the prosecution’s case on behalf of the crown?

Prosecutor
Thank you your honour. Arthur Andrew Davis Brown you are charged with the offence of spreading malicious gossip with intent to incite riot by claiming to look for, seek out and bare witness to the sun.

Arthur Brown
Oh.

Mr Prosecutor
Oh? Oh?

Judge
Oh?

Arthur Brown
Oh.

Mr Prosecutor
Mr Brown, this is a very serious matter. You are a trouble maker. A hoodlum, a, a, a, very Bad Man.

Judge
Very Bad.

Arthur Brown
So I gather.

Judge
This is no time for flippancy Mr Brown.
Would you continue Mr Prosecutor?

Prosecutor
Mr Brown, you were arrested by his majesty’s guard on the 15th of September, three weeks ago exactly, do you remember that day?
Arthur Brown
I remember, [clears throat] I remember I was in the square, I had just spoken to my wife and a… man. I don’t know who he was, but he seemed, he seemed tense. Then, then I remember nothing. I’d turned to walk away, then nothing.

Mr Prosecutor
So you do remember

Mr Brown
Remember what?

Prosecutor
Your wife.

Mr Brown
Yes, of course I remember my wife. Where is she?

Judge
Your wife is taken care of Mr Brown.

Mr Brown
But…

Judge
She’s taken care of Mr Brown

Arthur Brown
Oh.

Mr prosecutor
Mr Brown, Is it true that you spoke unto your wife and whilst speaking, said words of a story of a journey you say you took. A horrific, fantastical, whimsical journey. And this, this is why you were arrested three full days after the 12th of September on the orders of His Majesty the King, who whilst sitting upon his throne, overheard his maid [refers to notes] ‘known as ghurta’ say something of your story to his other maid [refers to notes] ‘huna‘, who, overwhelmed by what she was being told, dropped her water bowl and ran off screaming. His Majesty, questioned his storytelling maid [refers to notes] ‘known as ghurta’ and after some considerable detective work by his Majesty’s Chief Inspector Detector, found the story to originate from your wife, [refers to notes] a Mrs Jacana Brown. Who was at that time working as a cook in the court, and under interrogation by his Majesty’s Chief Inspector Detector Interrogator, named you Mr Brown, [refers to notes] her husband, as the source of these horrible and dangerous lies. Where upon, his majesty ordered your arrest, as he thought, (aside) and rightly so, that you, Mr Brown, are a heretic and you, Mr Brown, were trying, by means of verbal lies and obscene gestures, to start what may be perceived, Mr Brown, as an exodus. An uprising against society on the whole as well as, his Royal Majesty himself.
Do you agree this to be the case Mr Brown?

Mr Brown
Well…

Judge
Mr Brown, the question is simple enough, did you speak to your wife?

Arthur Brown
Yes.

Prosecutor
And the words you spoke, Mr Brown, were they as reported?

Arthur Brown
Possibly

Prosecutor
Possibly?

Arthur Brown
It all depends on what my wife told the maid and what the king overheard.

Prosecutor
Mr Brown, according to your wife, for many months, you have been spending quite some time roaming the outer regions of this kingdom in search of something, is that so?

Arthur Brown
I have been roaming yes, and searched definitely, for many months.
Mr Prosecutor
And what is it that you have spent many months roaming in search of?

Arthur Brown
The Sun.

Prosecutor.
The Sun?

Arthur Brown.
Yes.

Prosecutor.
How absurd.
Judge
No such thing. No such thing!

Prosecutor
Definitely not. Could you imagine?
[The Judge tries to say something but is lost for words. Has a large drink]
The sun indeed. Mr Brown, ladies and gentlemen of the jury, as I am sure you are aware, it is believed that philosophers once wrote that there may have been such a thing, and history tells us that there was once great debate about the subject but no parchment remains of the outcome of those philosophies and debates, and so now, general consensus, at least in educated society, is that the story of the sun was made up to assist in the calming of crying young, However, the telling of this fable, was banned in 483ED after it’s telling led to the riot of Banamore and the great tunnelling which led to the deaths of 15 juveniles, 326 rioters and six, yes SIX officers of his Majesties Court.
Judge
Where you aware of this ban Mr Brown.

Arthur Brown.
I was aware that my mother was extremely fearful whilst trying to calm me as a babe, for you see, she was not a great singer of lullabies. And I was aware that one night, she told me a story, although I remember not what the story was about, and I do remember that the following morning, she was arrested and taken away by officers of her majesty’s court, and was beheaded three weeks later, which happened to be the same day as my seventh birthday.

Judge
Ah.

Mr Prosecutor
Ah.

Judge
Yes well, thankfully, times have changed a little since then, however the ban is still in place. And therefore it is still… banned.

Mr Prosecutor
Yes it is, and still Mr Brown, you went looking for it?

Arthur Brown
Yes, that is correct.

Judge
Why Mr Brown, why on earth would you do such a thing?

Arthur Brown
I became encouraged.

Judge
Encouraged?

Arthur Brown
By signs, [Pause] and people.

Judge
And how did this encouragement work

Arthur Brown
Very well, it kind of drove me.

Judge
Are you trying to say it controlled you?

Arthur Brown
No, I am saying that it drove me.

Judge
I don’t understand, [drinks] Mr Prosecutor?

Prosecutor
Mr Brown, are you saying you were driven by people?

Arthur Brown
And signs, yes.

Prosecutor
Ah, so you are saying… no, no, I haven’t a clue either.

Judge
For gods sake. Mr Brown, please explain for the benefit of the prosecution, the ladies and gentlemen of the jury and my good self what the bloody hell you are talking about.

Arthur Brown
Your honour, for many years I did as we all do. I worked hard and wed and worked harder. My wife was a good woman. We lived happily. I worked hard during the day and returned home in the evening to be loved by my wife.

Judge
Mr Brown, what do you do for a living?

Arthur brown
I work in the water mines as a head line man, your honour.

Judge
A good and fair job Mr Brown. A good and fair job.

Arthur Brown
Yes it is, it was. But it was never enough.

Judge
Never enough?
Arthur Brown
No.

Judge
Why ever not man?

Arthur Brown
It was… well , it was boring.

Judge
How dare you! It is a good and fair job Mr Brown, a good and fair job.

Mr Prosecutor
Yes, a good and fair job, a good and fair job

Arthur Brown
Yes I know, I know. It is a good and fair job, it is, I know, but It never fulfilled me. I was bored, I wanted more. I wanted… I wanted… excitement.

Judge
Well I never.

Arthur Brown
that’s why I started walking

Judge
You did?

Arthur Brown
Yes. I went for walks

Judge
What kind of walks

Arthur Brown
Short ones… at first. I used to walk to work, and then in the evenings I would walk back home, however, one day, quite out of the blue, I decided that on my way home I would walk a different route. And so I did.

Judge
And where did this new route take you?

Arthur Brown
Well, eventually it took me home.

Judge
So what was the point?

Arthur Brown
It was different.

Judge
Different?

Arthur Brown
Quite

Judge
Quite?

Prosecutor
Quite?

Judge
Quite?

Arthur Brown
Quite different.

Judge
That’s all well and good Mr Brown, but it does not explain why you have now come to stand before me here today, unless that is, it was on one of your alternative routes!
[Both Judge and Mr Prosecutor laugh]

Arthur Brown
Well, in a way, I suppose you could say it was.

Judge
Then perhaps Mr Brown, you should have stayed on your usual route and followed your path.

Prosecutor
Indeed. Indeed.

Arthur Brown
Perhaps I should, but then I would not have happened across the man.

Judge
Man? What man?

Arthur Brown
The man with the pipe.

Judge
Oh.

Prosecutor
[looks through paperwork] man with the… oh?

Arthur Brown
Please your honour, allow me to explain.

Judge
Please do.

Prosecutor
Yes. Yes.

Arthur Brown
Thank you Your Honour. Ladies and Gentlemen of the Jury, Mr Prosecutor, Your Honour, I have worked hard, and have always tried to lead a good and just life. I still do try to lead such a life although it is now somewhat different. Please allow me to take you to the day in question when my life was changed, when it was changed quite dramatically .
I awoke early that day, and had eaten a great breakfast of mushrooms. I had set out for work as usual, As you are already aware, I had by this time started, tentatively at first, then with vigour, to deviate from my usual path from work, However on this day I had felt unusually troubled since half light, and had not managed to find it in me to attend the water mines., instead I simply wandered. It was the afternoon by the time this event occurred and I had wandered for many miles, I found myself in the caves over by Yeovil Strint. The day had been dark, and somewhat muggy, and I came upon a passage I had never come across before, the air in this passage was somehow sweeter than the usual air we breathe. I’ve often found the air to be quite stale around my home town, this was different. This was AIR. Proper air! It was fresh, if fresh be a word one can use to describe air and it flowed as a breeze.

Judge
A breeze?

Mr. Prosecutor.
A breeze?

Arthur Brown
[looks at Prosecutor triumphantly]
A breeze.

[Prosecutor looks at judge]
[Judge looks at prosecutor then Arthur Brown]

[then]

Judge
So you went for a walk. You smelt some air. And you told your wife of your walk and your smelling? You told your wife of your smelling?

Mr Prosecutor
Don’t forget the other people as well your honour. His wife told lots of people. Lots of people. Didn’t she, didn’t she?

Arthur Brown
Yes.

Mr Prosecutor
And that caused a rumour, didn’t it, didn’t it?

Arthur Brown
Yes.

Mr Prosecutor
And rumours are bad. Oh yes, rumours are bad. Very bad.

Judge
Yes yes, rumours are bad Mr Prosecutor.

Mr Prosecutor.
Yes your Honour, they are.

Judge
Very disturbing.

Mr Prosecutor
Yes, yes, quite.

Judge
Mr Brown, this man you talk of, this man with a pipe, was he smelling as well?

Arthur Brown
Possibly, although he seemed to be concentrating on his playing.

Judge
Playing?

Arthur Brown
Playing, yes, as I say, I came upon a passage I had never come across before. Upon entering the passage I was struck in the ear, by my hearing, for it had heard a sound. A light, delicate music came unto me as if being emitted from a pipe. Whereupon I came upon a man with a pipe, playing, for he was not cross and indeed seemed happy and so his music said so. Your honour, if I may, I’d like to call my first witness, the man with the pipe.

Judge
Bring in this man with the pipe.

Arthur Brown
THE man with the pipe.

Judge
THE man with the pipe. Bring in THE man with the pipe.
NOW

[The man with the lantern enters and lights some more lanterns around a witness stand, this can take quite some time. Once it is complete the man with the pipe rises up from the stand as if he was always there.]

Man with the pipe
I am here.
Judge
Please will you state your name for the jury and tell us what you know.

Man with the pipe
I am the man with the pipe, although some have known me as other things, for before I had a pipe I was known as Man who has not yet got a pipe. [stops and looks at the characters on the stage individually for encouragement, only Arthur Brown gives any. The man with the pipe continues]
I do however now have a pipe and so am called the man with the pipe.
[stops and looks again at the characters on the stage individually for encouragement, only Arthur Brown gives any. The man with the pipe continues]
If, however, I have another pipe I shall daresay be called man who has two pipes. But, until then I shall be the man with the pipe, unless of course I lose said pipe and therefore would become man who has lost his pipe or man who did once have a pipe but now does not, due to it being mislaid or lost.

Arthur Brown
And what do you know friend? Please tell us for we would like to hear.

Judge
Yes and make it quick and preferably, sense!

Man with the pipe
It has often been said that music should be banned for it reminds us of things lost or forgotten. Fairy tales and fables, like a breeze upon the trees or white snow that is cold. These things may have been, and may, alas, have gone. Every day, I believe, without knowing, our hearts mourn their loss. However there is one thing that we may mourn the loss of more than anything else mentioned in fairy tales or fables, and that is the sun. Although, many do say that the sun was never a real thing, simply a story to ease the pain of troubled babes.
But, what if you believe? What if you believe? I believe, I believe that there was such a thing as the sun and there still might bloody be one if the things I have seen are to be believed. And I believe they are. For I believe them.
[Looks at audience and characters on stage triumphantly]
I met this man [Gestures Arthur Brown] one day in a tunnel, my usual haunt, for there, there is something that holds me transfixed, as if I was glued, you know what I mean?
This man [Gestures] came unto me and asked me, asked ME, what lay beyond the tunnel, I replied I did not know , for I didn’t, for I have never been further than where I was or have ever had the inclination to do so, seeing as I was glued and so could not anyway.
This man said he felt a breeze and I said unto him that it was a breeze, it was a breeze! For the music from my pipe liked to travel upon it in it’s journeys and travels to ears. I also told this man [Gestures again] that the breeze brought things with it that he may choose not to believe but I said I believed, because I had seen them, with my own eyes, And, I had seen IT, in the darkness. He said, [Gestures Again] ‘what did you see that you say you saw?‘ and I said , I said, I saw a Leaf.

Judge
A Leaf!

Prosecutor
A Leaf!

Man with the pipe
A leaf.
And I daresay, I daresay and would even speculate that it would have come from… a tree.

Prosecutor
A Tree?

Judge
A Tree…

Prosecutor
surely not.

Judge
[To Prosecutor]

Do we know someone?

Prosecutor
[to Judge]

Know someone?

Judge
[To Prosecutor]

Yes, know someone.
To shed light.

Prosecutor
[to Judge]

Ah…To shed light.
Yes.

Judge
[To Prosecutor]

Yes?

Prosecutor
[to Judge]

Yes.

Judge
[To Prosecutor]

Yes, we know someone?

Prosecutor
[to Judge]

Do we? [looks at notes] Ah yes, yes, yes we do.

Judge
[To Prosecutor]

Yes we do? yes we do?
Who? Who? Who is it we know?

Prosecutor
[to Judge]

The tree man.

Judge
[To Prosecutor]

The Tree man?

Prosecutor
[to Judge]

The tree man.

Judge
Thank fuck.
Call the tree man!
Prosecutor
Call the Tree man!

Voice Off
Treeman!
[Tree Man enters]

Tree man
Yes yes yes yes yes yes yes yes yes what?

[Tree Man stands In the middle of Stage.]

Judge
Are you the Treeman?

Tree Man
I am, I am. I am the man that they say talks too much about trees. Some call me fuckwit, others call me hero, for the stories I tell are folk in nature of green and brown and everything that once was but is not any more, or so I believe but I have no proof.
I do however know an awful lot about trees.

Arthur Brown
Then tell these people, kind sir, about trees.

Judge
Mr Brown, if you don’t mind, I am in charge and it is my position to conduct instruction. Mr Prosecutor, could you please instruct the Treeman to inform the ladies and gentlemen of the jury about trees?
Prosecutor
You, fuckwit, tell these people about trees.

Tree Man
Yes.
Yes.
Luckily sir I brought a diagram.
[The tree man unravels/pulls down a very large drawing of a tree.]
I shall now go into some detail to describe what my diagram shows. Please if you could pay attention as it may become a little confusing.
Here you can see a picture of a tree. It has a brown trunk; that being the big thing that is brown, which is connected to the ground. This is what we believe holds up the branches; branches being the smaller brown things that are stuck to the trunk.

The man with the pipe
Stuck, stuck like glue as in not being able to move.

Tree man
Ah yes, [looks impressed] quite, quite… but not quite. You see they can move, for they are supple. They move in the breeze, yet stay stuck to the trunk all the same.

Judge
So they can move yet they can’t move? And you wonder why people call you fuckwit?

Prosecutor
Your honour? Is there any need to continue this farce, I mean, a leaf and a tree? These men are fools, they are demented ,simpletons, storytellers who mean civil unrest. Surely you can’t allow this to continue?

Arthur Brown
Surely you can, Your Honour, for the Man with the Pipe started my journey and propelled me forth onto discovery. It would also be a shame to stop now, for I am sure the tree man is about to come to the best bit…

Judge
Are you?
Are you really coming to the best bit?

Tree man
Am I? Am I? Ah, Yes, yes I am, yes I am.

Judge
Then continue. But quickly for I have business and the Prosecutor to attend to.

Tree man
Yes yes, quickly yes. To the best bit then. I just need a second diagram, luckily I brought it, just as I brought the first. I put it in here, for it is safe here and kept very dry.
[tree man takes very very large scroll out of a small bag just like Mary Poppins]
Here we go. So far I have told you of the trunk that is brown and stuck in the ground, of the branches that are stuck to the trunk, they too are brown and can move but are stuck all the same.

Man with the pipe
Stuck, stuck like glue. I told you, I told you.

Tree man
Well, well yes, but not quite, if you remember I told you before. You do remember don’t you?
[looks at man with pipe who clearly has forgotten]
Well as I was saying, the trunk is brown and stuck in the ground, the branches are attached to the trunk , like that.
[points at diagram 1]
Well, lets see, ah yes, then we have twigs. their purpose, their purpose is to hold onto… the leaves.

Judge
Leaves?

Prosecutor
Leaves?

Tree man
Yes, leaves, they are many leafs and are green… or brown, you see they can change in rooms known as seasons.
They give the tree life but they leave [Does exaggerated gesture of leaving] it every once in a while and drop to the ground.
[pauses in amazement and bewilderment]
All in all, that is a tree. I believe they were numerous, but I have never seen one, only in books with stories.

Prosecutor
Mad mad mad mad mad. Fuckwit.

Judge
Now, now Mr Prosecutor, His Royal Majesty dictated to us the value of freedom of thoughts and speech.
Thank you fuckwit, you may go.
[Speaks into wind up telecom from behind his desk]
Please escort the next fuckwit who exits this room into custodial care for he is clearly mad.
[They watch Tree man collect his things and help direct him out.]

Judge
So Man with the Pipe, you say you saw one of these leafs?

Man with the pipe
I did, I did see a leaf, and it must have come from somewhere, mustn’t it? I mean, it was carried on the breeze, but the breeze was not always there, was it? I mean, it makes sense, doesn’t it? It must have been somewhere to be now somewhere else. where that somewhere was I know not and was unable to go and see to where it had been for alas, I was stuck. So I sent the lad [Gestures to Brown] to go see and, and, off he went.

Judge
Did he?

Man with the pipe
Yes

Judge
Did you?

Arthur Brown
Yes.
I went.

Man with the pipe
Can I go now?

Judge
Sorry?

Man with the pipe
Can I go now? Can I leave? I mean, I have no more to say, I can play you a tune if you like, for your hearing.

Judge
No, no that is quite alright, Mr Brown have you finished with your witness?

Arthur Brown
Yes your honour.

Judge
Very well, Man with the Pipe, you may step down, but no blowing.

Man with the pipe.
Right, good… I’ll be off then.
[as Man with the pipe exits, the judge speaks into telecom from behind his desk]

Judge
You will shortly see another fuckwit exiting this room, please also escort him into custodial care for he is also clearly mad.
[to Arthur Brown]
So you went?

Arthur Brown
Yes

Judge
And what happened?

Arthur Brown
I met someone else your honour.

Judge
You met someone else?

Arthur Brown
After I left the man with the pipe, I went down the passage and met someone else.

Prosecutor
Who? Who did you meet?

Judge
Mr prosecutor, please.
Mr Brown, who did you meet?

Arthur Brown
I met a beautiful witch

Judge
A beautiful witch?

Arthur Brown
Yes, I remember her for she was very beautiful

Prosecutor
And no doubt, a witch?

Arthur Brown
Yes, that she was, she had the markings… do you know of her?

Prosecutor
No I do not!
Imbecile.

Arthur Brown
Well you shall meet her now for I would like to call the beautiful witch.

Prosecutor
Do we really have to go on with this your honour?

Judge
Well Mr Brown, Is your next witness essential to your defence or is she simply another ignoramus who has found sanctuary in the farther regions of our world?

Arthur Brown.
Forgive me your wise-ness if my first witness was not so simple to understand. It is not his fault, seeing as he was stuck and had been stuck for quite some time I believe.
My second witness, the beautiful witch should make far more sense as she holds the key. So please, your honour, please allow me to call her.

Judge
Very well.
Bring forth the beautiful witch.

[There is a pause whilst the beautiful witch enters, the beautiful with enters carrying a number of suitcases, places them at the witness stand then goes off stage to bring on more suitcases this may be continued three for four times.
Each time the witch can begin her line then trail off whilst she remembers her off stage cases and retrieves them.]

Beautiful Witch.
Who called forth.
What reason for it?

Judge
Please state your name for the people here present.

Beautiful Witch
I am Dabi Die.

Judge
Your skin is dark, where might you be from witch?

Beautiful Witch
My skin is porcelain, as is yours, but I do bear the markings. I am from many places

Judge
Many Places?

Beautiful Witch.
Yes, many places.

Judge
Well I…

Beautiful Witch
I started my journey in Germania where I was given unto this world in an unusual manner, carried by a magical vessel, a cow…

Prosecutor
A Cow?

Beautiful Witch
..was used to carry my mother from a cave in Tilberg. For four days she travelled far, bearing me, in search of water, for, in Tilberg, there was little enough, and non to be spared for the ceremony.

Judge
The Ceremony?

Beautiful Witch
My Birthing. My mother had sensed I would be marked, she needed water to perform the ceremony of the oweyoo. My mother found a cave with a pool, and I was born unto her on the fourth night. We did not stop however. Once the ceremony was complete , my mother continued on her journey. For four more days she travelled, carrying me in her arms arriving in Tamer at about seven before lasten bell where she settled upon a firm outcrop overlooking a lake where my father, whom I had not met, was supposed to be , upon a raft, fishing.

Judge
Did you find him?

Beautiful Witch
Yes.

Prosecutor
Had he caught any?

Beautiful witch
Caught any?

Prosecutor
Fish?

Beautiful Witch.
I know not, I was barely four days old.
It did not take long for my mother to find my father though, for she had sensed where he would be, and there indeed she did find him, lying on the shore beneath an outcrop. He was dead.

Judge
So he had died.

Beautiful witch
No, not died. But he was dead all the same, a spear was found, broken. He had the markings

Judge
These markings…

Beautiful Witch
Are the markings of one of my kind.

Prosecutor
A conjuror.

Beautiful Witch.
A Shaman

Prosecutor
As I said, a Conjuror.

Beautiful Witch
There is a difference. A conjuror merely plays tricks, a shaman has the energy of the earth within them and controls time, space and the laws by which we live.

Judge
I think you’ll find that I control the laws witch.

Beautiful Witch
Natural laws.

Prosecutor
There is only one law and that is of the King, not of some magic making harlot.

Judge
Well said Mr Prosecutor.

Beautiful Witch
How dare you dismiss so rashly that which you do not know. My power is not simply magic. It is life. And death. And all in between.

Prosecutor
Quiet witch . Is there need to continue your honour? Mr Brown’s witness seems to be somewhat mad. It appears Mr Brown has an affinity with those among us who are ‘not quite seeing the rock face’!

Arthur Brown.
There is indeed need. This Beautiful Witch is not mad. Allow her to continue her story for she will show you how it came to be that I spoke to her and continued my own journey to the top side where I believe one day we will find the sun, shining in all its glory.

Prosecutor.
How, how, how can you allow him to talk this way your honour?

Judge.
It is hard. It is hard. But his Majesty ruled long ago that each man was able to have free speech.

Beautiful Witch
As long as each man says what his Majesty wants, is that not so your honour?

Judge.
That is not so witch. Continue your story or I will be forced to silence you.

Beautiful Witch.
As I said. My mother found my father dead. With a broken spear head close by.
He had been killed because he had the markings. My mother also had the markings, as do I, and she knew that we must have been in a place where the markings were not accepted by those local. So, She moved us once again, after taking on much water, and we headed north. We travelled for many years and my mother taught me well in the ways of the wild. We lived off wild mushrooms, moss seed and fish, when they could be caught, The spirit within me grew and grew and soon I started seeing.

Judge
Seeing?

Prosecutor
Seeing, seeing what, seeing what?

Beautiful Witch.
Visions.
I began my visions when I was twelve year outs. My first was of a fish, swimming, swimming close to where I was sat, on an outcrop near to where my mother had stopped to camp at that time. It was swimming closer and closer and seamed to be saying, catch me, catch me girl for I have words to say to you. In my vision it was so clear, but when I looked with my real eyes all I saw was the inky blackness of the water. I lifted my spear and threw it into the murky waters beneath, when I pulled it back in, the fish was there on the end, impaled, and it spoke unto me and said. ‘I am a good fish, take my flesh and eat it, but once you have eaten from my flesh ,be gone, for I have young ones, and they are not for your eating, Move on until you meet a man. A man who will step forward to another world. A man who you must guide and when he comes, show him, show him the way.’ the fish then died. And we ate well that night but it was then that I knew I must continue my journey alone, for the fish had not spoke of my mother. My mother gave me some milk from the cow, which was now very old and not producing much. I set off on my way and my mother waved a farewell and hoped I would find the man soon as she could not see my life in her visions, instead she only saw the cow’s nearing death and her own fall from this world. she did not tell me of these visions of hers, but later when I was on my journey to find the man I entered her head in a dream state and saw for myself what she had seen. That was when I knew she had also died .
My journey took many years and I visited many places, from Erainia and Beloch to Mardoena and Trotchen, each year my visions growing stronger, until I lived them. I always knew of a man, a man I was due to greet, however I knew not why I was due to guide him or who he was, until I was once again sat by a lake, singing, I had almost lost myself, as can easily be done when singing, when I saw a ripple in the water, about five feet out. The ripple grew and grew, until the water became quite violent and then out of the water erupted a crocodilian. It was pure white, but its eyes were not red. Its eyes were pure blue, as are mine, and that was when I knew it would not eat me, for, it was my father.

Judge
Your father?

Mr Prosecutor
Your father was a crocodilian?

Beautiful Witch.
No. Of course not. But that was how his spirit chose to show itself to me. I sat aghast. I had not seen him since I was a newborn., when he was dead, and I had no real knowledge of who he was. But his eyes. His eyes were now pure. So pure, in front of me. And that is how I knew.
The crocodilian, my father, smiled. He then spoke to me in a voice that was so light it was like singing. I knew of course it was my voice I was hearing, but the words, the words were his.

Judge
What did he say?

Beautiful Witch
‘Dabi, he began, Dabi my sweet. I am he who planted his seed. My seed grew and grew and was carried in a magical vessel until your berthing. My seed became you.‘ If I had not already known, it was at this point when I would have been certain that this was my father speaking unto me. ‘Continue your journey my sweet, for you have far to travel, continue until you reach a forest of mushrooms, for in the forest you will be met by a boar. A boar so wild and so grand that he has two golden tusks with which he holds great pride. The boar has words to say unto you and also a gift. The gift is not yours although the words are meant for you. The gift must be given unto you , and then by you. You will know when to give the gift and who to give the gift to as the boar will tell you with his words.’ The crocodilian then smiled (although I had thought that he had been smiling throughout) and then sank back into the murky blackness of his lake. I never saw him again.

Judge
My god witch, you are quite a story teller. Perhaps it is you who should be on trial and not Mr Brown. All this story telling is making me thirsty. I am very thirsty. Man. Man. Bring in drink.

[A man enters, he is hooded and wearing a gown identical to the lantern carrier. He brings in a jug and serves the Judge, Mr prosecutor and the witch and then Mr Brown. He then serves each one a biscuit in the same order. Once he has done this he takes the glasses and if unfinished the biscuits off each of the characters in the opposite order. He then leaves the chamber]

Judge
Right then, where were we?

Mr Prosecutor
The Boar

Judge
Ah yes, the witch. You may continue.

Beautiful Witch.
Many more years passed after I had spoken with my father and I didn’t once during those years come upon a forest of mushrooms. Until I did. On a Tuesday. I saw the mushrooms. A great many of then. And they were as big as stalagmites. The light around them was phosphorous and it was as if it guided me to a point in the deepest part of the shrooms. I stopped and looked all around me, the phosphorous glowed and as I faced my front again I saw him. The boar. And he was big. He said I am Arabuu. King of the mushroom forest. You have come to hear my words. So here they are.

“when you meet the man. Give him my gift. For he needs it. It is important to him. It will help him know. It will help him see. It will change all the world”

He then knelt and beckoned me to remove the golden key on a chain that hung around his left tusk. I did as he beckoned and it was heavy. He then bade me farewell and I went. Ten years later, I met a man, Arthur Brown.

Mr Prosecutor
You just happened to bump into him, ten years after seeing a giant talking boar with a jewellery fetish, who you met on orders from your crocadilian dead father who agreed with the suicidal fish that you were destined to meet a man. Who you would know when you met?!?
And you expect us to believe this?

Beautiful Witch
No. I don’t expect you to believe it. I don’t expect anything. It is just so.

Arthur Brown.
Your honour, whether you believe the beautiful witch or not, I have asked her to stand as my witness because she saw me in the passage. And she spoke to me of what I must do and therefore did.

Judge
I see. And what did she say.

Arthur Brown
She asked me where I was going. So I told her. I said I was following a breeze. She asked me my name. I told her. She then said. ‘Mr Brown. You are going on a long long journey. You may know not your destination, but I do. And you must continue on your path, so follow your breeze and return, bearing your news.’ And she gave me a key.

Judge
Is that what you said?

Beautiful Witch
I did indeed say: ‘Mr Brown. You are going on a long long journey. You may know not your destination, but I do. And you must continue on your path, so follow your breeze and return, bearing your news’

Judge.
And did you give him a key?

Beautiful Witch.
Yes. The key from the Boar king.

Arthur Brown
And so, as the beautiful witch had told me too, I went. I followed the breeze and walked for many many miles. My steps became quicker as my heart began to race. And then, in the distance, I saw it. It was small at first, like a pin prick, but it steadily grew as I moved on, and continued to do so until it filled my vision. It was light. Pure light. And it grew, and grew, until I was standing in it. It engulfed me, and I looked around and found I was outside. I saw trees. And shrubs. And grass. And then I looked up. And that’s when I saw it. There in the sky. A cloud.

Judge.
So you clai… a cloud?

Arthur Brown
Yes, a cloud, isn’t it amazing.

Judge
What happened then, then.

Arthur Brown
Well then I knew it must be true, there must be a sun, somewhere, so I ran home to tell my wife.

Mr Prosecutor
And start a revolution against his majesty the king!

Arthur Brown
No, simply to tell her the truth, that there is more to this world than what we see, there is a greater place for us, there is a breeze, and the re are trees, there’s a sky and a cloud and somewhere, somewhere I know there is a sun!

Mr Prosecutor
It is all lies. It is all lies. LIES.

Arthur brown.
No it isn’t.

Mr prosecutor
Yes it is.

Arthur brown
No it isn’t

Mr prosecutor
Yes it is.

Arthur brown
No it isn’t

Mr prosecutor
Yes it is.

Arthur brown
No it isn’t

Mr prosecutor
Yes it is.
Yes it is.
Yes it is.
Yes it is.

Judge
Enough!
I have heard quite enough.
Witch, you may go. Mr Prosecutor please take your seat. Mr Brown, straighten your self.
Ladies and Gentlemen of the Jury. You have heard all there is to be heard. Mr Prosecutor has done a fine job for on behalf of his majesty and the people. Mr Brown on the other hand has spread more lies and yet more stories, on his head be it. As it is now time for you to decide on his guilt. As is customary, please raise your right hand in favour of your chosen verdict. The highest number of raised hands seals this mans fate.
So, those citizens who decree this man, Arthur Andrew Davis Brown, to be guilty of the alleged crime, please raise your right hand now.
[counting]
Yes, yes… very well.
And all those who decree this man, Arthur Andrew Davis Brown, to be innocent of the alleged crime, please raise your right hand now.
[counting]
Yes, yes. Yes.
Well, there you go. Fairly unanimous.
Mr Arthur Andrew Davis Brown, for the alleged crime of incite to riot you have been fairly tried and have been found by these good people here gathered to be GUILTY as charged.

End of ACT

 

© simon garlick

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The Man Who Saw the Sun: Title, Characters and Set Notes

Posted by madgarlick on April 11, 2008

The Man Who saw The Sun

A Play

By
Simon Garlick

Characters

Arthur Andrew Davis Brown :
Male, late thirties. Everyman.

The Judge:
Male, mid fifties. Big. Drinks, often.

Mr Prosecutor:
Male, mid forties. Often refers to notes.

Man with the Pipe:
Male, late forties. Wild looking, clothes don’t fit.

Tree Man:
Male, late fifties. Horizontal grey hair, engrossed in wonder.

Beautiful Witch:
Female, early thirties. Wild, tattooed, beautiful.

Blind Man:
Male, early seventies. Earthy.

Various gowned men/guards to be played by cast.

Notes on Set

The action takes place in an underground world. Sets are dark, stone like as if carved out of rock, lighting is bleak and lantern lit except; in act one, when the beautiful witch tells her stories, where the set becomes dream-like, bright and fantastical, utilising puppetry. And in act two, at the very last scene, where the set becomes floodlit from behind creating silhouettes.

 

 

 © simon garlick

 

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